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This blog is a global conversation among young people on poverty and other development-related issues. It's maintained by the World Bank's Youthink! team

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khayameya

glass of tea...

I have come to really enjoy the rituals that I have developed working here. To say the very least, working with poor artisans in Egypt is the polar opposite environment from working in corporate America. Day-to-day interactions include lots of tea, no emails, no credit cards and the satisfaction of being surrounded by people who work with their hands and produce beautiful items. Don’t get me wrong, people in Egypt with more corporate jobs might as well be in NYC, LA, DC or London. Their days are filled with meetings, conference calls, emails, etc…but their offices usually have a view of the Nile. ;)

microfinance? maybe not in the traditional sense....

When I arrived in Egypt I had a plan to retain traditional craftsmanship through the empowering development of microfinance.  I was in love with microfinance.  I loved that it was not a handout, that it was partnering with poor people to launch their own initiatives and that it seemed so empowering and dignifying.  So I had this vision that I was going to use microfinance, but I wasn’t sure which artisan skill I was going to focus on (initially I was leaning towards much of the beautiful mother of pearl work and copper work that is done in Egypt…) 

I spent my first two months of working on Ayadi reasearching and meeting with anybody and everybody that would talk to me from the spheres of: artisans, microfinance organizations/institutions, development agencies, various non-profits combating poverty, and visiting various parts of the country to see first-hand artisans at work.  I decided to work with the khayameya (traditional tentmakers) – more on this later.

what i do...and who i am...

For many years I had this dream that I would be working to retain traditional craftsmanship among poor artisans in Egypt. I decided to make a leap and see if I as one individual could make a difference in the country where I was born, Egypt.  I created a nonprofit, Ayadi (which means many hands in Arabic) and am now in Cairo trying to retain traditional craftsmanship in Cairo. 

Why traditional craftsmanship?  In developing countries the focus is on basic needs: housing, food, health, etc.  And when a segment of the population is not receiving these basic needs, many times art is considered a luxury. I am hoping to retain the beautiful handcrafted legacy of Egypt by providing a way for poor people to be able to create income through the gift of their craftsmanship which has been handed down for centuries. The basic idea is to use an empowering development mechanism of partnership and employment, to simultaneously retain traditional craftsmanship and provide a source of income-generation for poor artisans. 

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