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This blog is a global conversation among young people on poverty and other development-related issues. It's maintained by the World Bank's Youthink! team

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cultural heritage

Money or Art?

So when I started to work with the khayameya I realized that my intention and the intentions of the khayameya workers were different. Not different in that we couldn’t agree, but just coming from different perspectives, which in the end turned out to be complementary. I had this idealistic, ambitious vision of simultaneously retaining craftsmanship, reviving cultural heritage, creating employment opportunities, etc…. For them, it is simply a source of income. Many are gifted in the craft, some tell me it is their favorite time of day when they work, and for others it's just work. But they don’t do it for idealistic reasons, they do it because they have inherited or been taught a way of living. So for Ayadi’s work to be successful we had to bridge the workers' perspectives as well as the vision of Ayadi. 

Decisions, decisions…

My first 6 weeks of officially working for Ayadi Organization I did on-the-ground research of various crafts around Egypt.  I was looking to find a craft that has been passed down for hundreds of years and that would benefit from working with Ayadi.  My vision was not to create something new.  I didn’t want something redundant or to recreate the wheel if it had already been created and spinning, but rather to build on others' work and make more impact. 

To name just a few of the beautiful craftsmanship that are part of  Egypt's rich and dying cultural heritage, I saw glass being hand-blown in the City of the Dead in Cairo, pottery in Fayoum (1.5 hours from Cairo), mother-of-pearl boxes being cut and assembled, etc….  Every time I saw a new craftsman at work I wanted to work with him.  But of course to be realistic and to have impact, I decided to start with one craft for a 6-month pilot project, and then expand or reassess. 

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